Marybeth La Motte’s latest Red Carpet column for FSHN is in the magazine’s winter issue and available online and in print at newsstands now. Check it out for scenes from the Atherton home of Jennifer Carrico and Chris Kelly at the 49ers Academy Gala, Rodin by Moonlight, a biennial event at Cantor Center for the Arts at Stanford University, Museum of the African Diaspora’s eighth anniversary in San Francisco, and SFMOMA’s Bay Area Treasure award dinner for George Lucas.
Tomorrow evening, Thursday, November 14th, the San Francisco Film Society will present a fall celebration in honor of the films Fruitvale Station, Her, Nebraska and The Square. The event will be held at The Battery, San Francisco’s newest private club, and filmmakers Ryan Coogler, Spike Jonze, Michael B. Jordan, Jehane Noujaim, Alexander Payne and actress June Squibb will be on hand to receive the accolades. Co-chairs are Victoria Raiser and Todd Traina; Sid Ganis and Chris Columbus are hosts. Tickets start at $350.
… and this year Marc Benioff is bringing Green Day, Blondie and hosting an after-party with MC Hammer at AT&T Park on November 19th! All proceeds benefit UCSF Benioff Children’s Hospital and Children’s Hospital Oakland. The concert is presented by Salesforce.com Foundation in conjunction with the Dreamforce Gala. A limited number of tickets are still available.
Red Carpet Bay Area attended last year’s event with Dana Carvey, Lady Antebellum and MC Hammer, watch the video:
Testimonials are effective marketing tools. A client testimonial says what you can’t about your work, they let viewers know they are not alone, and they make for good videos. According to Google, when visiting YouTube, business viewers’ interest trends include customer testimonials (29%), product demos (28%), product reviews (27%). Forbes says of marketing in 2013: successful strategies will be ones that are not only simple in nature, but promote goods and services that serve to simplify the consumer’s life, or their customer experience.
MBL Media Productions creates Red Carpet Bay Area and is a full-service video production, marketing and communications company. As an example of effective testimonials, watch our video for Guy Kornblum & Associates:
Red Carpet Bay Area is created by MBL Media Productions, a full-service video production, marketing and communications consultancy. Marybeth La Motte, executive producer and founder, has over 15 years experience in communications for lawyers, luxury retail marketing and event management. La Motte is the former director and architect of a $3 million global charitable giving program, $1.5 million annually to nonprofits in the Bay Area.
Red Carpet Bay Area brings viewers front-row to fashion and philanthropy in the San Francisco Bay Area through its television show (KICU TV36), website (www.RedCarpetSF.com) and special events. Since 2008, we have written some 1,000 articles and produced over 200 videos about lifestyle in the Bay Area. On our website, www.RedCarpetSF.com, we cover nonprofit events at no charge, though we ask that the event producers recognize Red Carpet Bay Area and share the content we create for them.
Over the past 5 years, we have donated more than $350,000 in video production services to local nonprofits. How do we make money? We don’t, though we must cover our costs. Professional video production from our Emmy-Award winning team, marketing, branding and communications consulting are some of our revenue sources. Please consider hiring MBL Media Productions to ignite your brand’s potential. Or, join us as a sponsor.
Have you met our client, Trial Lawyer Guy Kornblum?
Tickets are $15 in advance here,,or $19 at the door
Wobbly World is a collection of singers and musicians from Bulgaria, Netherlands, Nicaragua, Lebanon, Cuba, Vietnam, West Africa and the United States who embody the American spirit of connection and collaboration. Red Carpet Bay Area introduces Freddy Clarke:
San Francisco Opera opens its 91st season tonight with a gala performance of Arrigo Boito’s Mefistofele, wherein Faust sells his soul to the devil in exchange for perpetual youth. Music Director Nicola Luisotti conducts the San Francisco Opera and Chorus in Robert Carson’s impressive San Francisco Opera Production, now co-owned by the Metropolitan Opera, designs by Michael Levine and directed by Laurie Feldman. The title role of Mefistofele is sung by Russian bass Ildar Abrdazakov in his stage debut, soprano Patricia Racette appears as both Margherita and Elena, and Mexican tenor Ramon Vargas makes his stage debut as Faust. Mefistofele runs through October 2nd.
The opening night festivities are highlighted by Opera Ball 2013: The Garden of Good and Evil, created by celebrity event designer Colin Cowie, and Bravo! Club’s Opening Night Gala. If you go, be sure to post comments and photos on social networks using hashtags: #sfoperaball or #DevilinSF.
The opening weekend concludes with San Francisco Chronicle Presents Opera in the Park, a free concert in Golden Gate Park on Sunday, September 8th.
Photo by Cory Weaver/San Francisco Opera
September social events are just one week away. Here is my red-carpet ready plan:
One month before: get on with the workouts and back into a three-days-a-week routine with Kristi Dowler. Kristi’s workouts not only give me energy and get me outside, but also deliver quick results. One of the best accessories with any gown is sculpted arms.
Two or three weeks before: Fraxel or a chemical peel from Cheryl Pierce to ease the latest damage on my summer sun-kissed skin.
Two days before: Hydrating facial from Theresa Ferrar for a clean, healthy glow.
One day before:
1. Professional manicure and pedicure in shades that compliment my dress. Note, I read a tip from Sally Hansen that said for long nails the squoval is out, and that polish on the fingers and toes should not match. I keep my nails short so I will go with an oval; I like a matching mani-pedi, but it’s good to know the latest trends.
2. A light shade of spray tan from MilVali Salon. My skin looks better tan, and the spray-on type doesn’t leave me looking parched or aged.
1. Professional hair and makeup at MilVali Salon equals confidence.
2. Leave the house early to avoid a stressful ride in the car; arrive on-time to enjoy all the sights and sounds.
I attended opera ball for the first time in 1994; I’ll never forget my seat mate’s comment, “One never wears black to the opera!” Oops and I thought I looked great in my black silk gown by Calvin Klein. I still have the dress, and I still like it, though I will not wear it to opera ball again. I have not missed an opera ball since then — watching the gowns, the jewels, the hairstyles, the air kisses, the pomp, and the performances — has become a much-loved pastime.
Of all the opera balls since, my favorite was on September 5, 1997, San Francisco Opera’s 75th anniversary celebration and return to the War Memorial Opera House after two years and an $88.5 million restoration. The ball was chaired by Jane Hartley, 75th anniversary celebration chairs were Sally Jordan and Gretchen Leach, and Linle Froeb and Brian Hackfeld chaired the Bravo! Club’s celebration.
Not only was the audience in awe over the restored great gold curtain, starburst chandelier and rich, red velvet seats, but also the gala concert hosted by soprano Beverly Sills and actor Derek Jacobi as master of ceremonies. Then general director Lotfi Mansouri served up performances from legendary divas Leonie Rysanek and Joan Sutherland, and from some of the world’s greatest opera stars including Placido Domingo, Marilyn Horne, Ruth Ann Swenson, Frederica von Stade and Samuel Ramey, just to name a few. We dined and danced in a luxurious tent following the memorable performance and got home at 2:00 am, in time to watch a sad and beautiful farewell to Princess Diana, her funeral, on television.
I look forward to returning to the War Memorial Opera House for opera ball on September 6, 2013, where nothing has changed since 1932. Throughout the restoration, Lotfi Mansouri insisted on keeping everything the same, from the carpeting to the coverings and configurations for the seats, everything was replicated. This year I’ll wear red, from Vera Wang.
Women occupy a record number of private sector jobs, according to the New York Times. Girls are ready to go out and earn their fortunes! However, dressing for success in business is not always easy. You want to be yourself, be reasonably comfortable, respected and on trend. Fortunately, you can look for inspiration in your favorite characters on TV. Some of the women who know how look the part of the office rock star:
Leslie Knope, Parks and Recreation
Creative Commons image by letsgoeverywhere
As the sixth season of this quirky NBC hit kicks off in September, audiences will be rooting for woman-in-charge Leslie Knope, played by Amy Poehler. Though she may not always have it together, Leslie doesn’t feel pressure to be sexy or on-trend at work, instead she’s all business. However, we can all take a page from her knack for personal style. She decorated her wedding gown with important work documents, proving that she lives for her job, but it doesn’t keep her from finding love. With a lace neckline, side-swept hair, and Hollywood makeup, Leslie is a great example of keeping it subtle in the office and glamorous for a night out.
Jessica Pearson, Suits
The costume designer for Suits claims to keep 100 three-piece ensembles on set for the men. But to give the women that perfect combination of the wealthy elite and successful executive, with just a pinch of scariness for Jessica Pearson, played by Gina Torres, the actresses are dressed in modern, designer label clothes. Contemporary cuts, bold edges, and sleek fabrics give this managing partner a look that exudes confidence. Her clothes are one thing that don’t need straightening out.
Claire Dunphy, Modern Family
70 percent of married moms who are over 25 years of age work outside the home, according to More.com. Whether part-time, full-time, or just temporarily to whip the city council into shape like Claire Dunphy, played by Julie Bowen, it is difficult to make the transition from functional mom clothes to more professional attire. Around the kitchen she seems most comfortable in a bright button down and slacks, or active wear, when Dunphy decides to enter the election she pulls out a black suit jacket and skirt reminiscent of Julie Bowen’s Boston Legal days. Instead of changing her look completely, she ups the formality and professionalism for public interviews and council meetings.
From career girls to working moms to high-powered executives, these TV women prove that you can be cute, comfortable and even a little sexy. According to http://www.direct.tv, it’s now even easier to keep up with these career gals without slowing down; new technology makes it possible to watch recorded shows at home or on the go.